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Artist Portfolios > J > Jeanfilip


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La Citta Dorata, Mixed Media on Canvas, Painting
La Citta Dorata, 2008
Mixed Media on Canvas
39" x 78"
USD 5000


Harvest, Mixed Media on Canvas, Painting
Harvest, 2008
Mixed Media on Canvas
39" x 39"
USD 3000


La Marea, Mixed Media on Canvas, Painting
La Marea, 2008
Mixed Media on Canvas
39" x 48"
USD 3500


Venezia No. 2, Mixed Media on Canvas, Painting
Venezia No. 2, 2007
Mixed Media on Canvas
39" x 78"
USD 5000


Ritagli di Tempo, Mixed Media on Canvas, Painting
Ritagli di Tempo, 2009
Mixed Media on Canvas
48" x 32"
USD 3000


Nel Tondo No. 2, Mixed Media on Canvas, Painting
Nel Tondo No. 2, 2007
Mixed Media on Canvas
39" x 39"
USD 2800


Provenza, Mixed Media on Canvas, Painting
Provenza, 2009
Mixed Media on Canvas
39" x 39"
USD 3000


Le Due Lune, Mixed Media on Canvas, Painting
Le Due Lune, 2008
Mixed Media on Canvas
31" x 39"
USD 2500


Press Release

Though the work of Italian painter Jeanfilip has evolved through Impressionism to his present style of Abstract Expressionism, each work still teases viewers with some hint of figuration. His canvases feature dynamic compositions organized around swirling, colorful geometric forms and playful linear shapes that float and skid across alternately constrained and explosive backdrops. Still, Jeanfilip keeps his distance from any identifiable imagery, instead drawing our eyes to the striking sense of motion and movement each work elicits.

Indeed, even paintings that resemble nocturnes and broad landscapes maintain this pervasive sense of movement, as though Jeanfilip’s thick shapes and wiry silhouettes inhabit mythic, primordial windswept plains. Somewhere between architectural forms and musical rhythms, his canvases become an enveloping, overlapping play of tones, hues, lines and planes. With their nearly overwhelming array of movements and colors – vibrant reds, deep blues, crisp yellows and calming cream hues – Jeanfilip’s works are continually rewarding. Each canvas reveals new spaces, layers, relationships and trajectories to patient and observant viewers.


 

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