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Artist Portfolios > M > Neil Masterman


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Bishops House, Acrylic on Paper, Painting
Bishops House
Acrylic on Paper
23.5" x 27.5"
USD 5400


My Back Garden, Acrylic on Paper, Painting
My Back Garden
Acrylic on Paper
18.5" x 23.5"
USD 5200


Kings Street Mish Mash, Acrylic on Paper, Painting
Kings Street Mish Mash
Acrylic on Paper
14" x 16"
USD 4900


Red Houses after Van Gogh, Acrylic on Paper, Painting
Red Houses after Van Gogh
Acrylic on Paper
24" x 27.5"
USD 5400


Caribbean Sunset, Acrylic on Paper, Painting
Caribbean Sunset
Acrylic on Paper
22" x 17.5"
USD 5200


Penny's Flowers, Acrylic on Paper, Painting
Penny's Flowers
Acrylic on Paper
18" x 14"
USD 5000


Lanzarote, Acrylic on Paper, Painting
Lanzarote
Acrylic on Paper
21" x 18"
USD 5100


Lips, Acrylic on Paper, Painting
Lips
Acrylic on Paper
16" x 13"
USD 4900


Sunset II, Acrylic on Paper, Painting
Sunset II
Acrylic on Paper
18" x 19"
USD 5100


You Guess, Acrylic on Paper, Painting
You Guess
Acrylic on Paper
23" x 15"
USD 5100


Troubles Gone, Acrylic on Board, Painting
Troubles Gone
Acrylic on Board
19" x 22"
USD 5200


Wheatfields, Acrylic on Paper, Painting
Wheatfields
Acrylic on Paper
22" x 16"
USD 5100


Press Release

The self-taught British painter Neil Masterman employs multiple styles in his acrylic works, combining impressionism, expressionism, abstraction and fauvism (to name his most overt allusions). His paintings are dominated by strong colors, generally in a wide variety rather than within a single hue. Working with the expressive qualities of his bold colors, Masterman often forgoes minute details, conveying emotion, texture and movement through juxtapositions of strong color planes.

Throughout these mingling styles and colors, Masterman maintains a stable and recognizable aesthetic all his own. This personal style emerges from the uncanny impact of his paintings: at first glance their allusions to earlier styles make them seem familiar, but further engagement reveals their originality. Masterman’s works do not simply allude to preceding artistic traditions. He renews their immediacy in several ways: by placing stronger colors into jarring proximity, by choosing certain extremely contemporary subjects, finally by creating his own hybrid mode through these multiple styles brought into dialogue within his canvases.



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