“The beauty of people in photography goes beyond the reality,” Jacqueline Rosenberg states, “but that's why we love it.”  Rosenberg’s  two decades as a fashion photographer served as a sort of vocational training for her artistic career; and her trade has now been fully converted into passion.  She takes as her subject matter women of varying types—but all strong, all emancipated in their femininity. Before transferring her photos onto canvas, Rosenberg superimposes upon them images of beads, jewels, geometric figures, out-of-proportion body parts from other photos—a practice that results in framing the internal discourse of each piece, allotting a viewing experience that is more than the sum of its parts.  

Her approach reminds one of Picasso and how his distortions were always meant to convey information, to guide the encounter.  If there’s a message Rosenberg hopes to convey, it’s that we should accept people of all kinds, and that we ourselves should be* *independent and free in our self-expression, our passions, and our joys.